Green Plates
Sydney Contemporary

September, 2022
Shown as part of Flock Together group show with (Ames) Yavuz Gallery.



Changing Room
, 2022, Solvent Print on Goat Leather, 103 x 0.91cm


Green Plates explores the tactility of experiential memory through hazy, voyeuristic snapshots. Intimate moments are exposed through the scaling of flash film photography, and the pressing of flesh and fabric onto animal skins evokes an abject yet pleasurable sensibility.



Installation view of Bungee Cord, 2022, Solvent Print on Goat Leather, 114 x 95cm, and Changing Room, 2022.



Pressure based printmedia processes are used, pushing imagery into the skin and processing the animal hide further. Through the leather substrate, imagery of man-made structures are rendered organic whilst figurative forms are even more flesh-like. In each composition, layers of muted green fade into textured skin and brilliant metals. Pressure based printmedia processes are used, pushing imagery into the skin and processing the animal hide further. Through the leather substrate, imagery of man-made structures are rendered organic whilst figurative forms are even more flesh-like. In each composition, layers of muted green fade into textured skin and brilliant metals.

Each hide holds memories and feelings of how bodies interacted in space. They are listless and yearning, memories and skins on the verge of connecting. The audience is invited into these quiet elements of homosocial surveillance through their dimensional qualities. Each skin, in its layers of colour and organic grids, speaks the guilty pleasure of looking at something you shouldn’t.




Installation view of Well Mannered (2022), Housewarming (2022), Descent (2021), Bungee Cord (2022)and Changing Room (2022).


The Wrestler I, (side view) 2022, Solvent Print on Goat Leather, 30.6 x 23cm
The Wrestler I, 2022, Solvent Print on Goat Leather, 30.6 x 23cm


Election Night, 2022, Solvent Print on Goat Leather, 104 x 103cm